Holo's debut album is a mixture of old and new tracks, so it contains a diverse set of influences, styles and ideas. It’s this inconsistency, however, that brings the album together. Whether it’s the sudden piano in ‘In Tokyo’, overdriven guitars on ‘Roses’ or percussive video game sounds in ‘Super Nice’, every track has unexpected, contrasting elements that subvert the audience’s expectations and force their attention. The album is as much an expression of his love for music in all its forms as it is a rejection of tropes in electronic music, and it's his best work to date.
